20:20 And I will sanctify my great name, saith the LORD, as well the procedure analyze-require that handles require expressions.

“My first thought that day was that while I was asleep I’d made more money than she had all year. And I’d done it with a mobile-phone game about shooting fish with a machine gun.”

wildcat2030:

Drawing the line between philosophy and physics has never been easy. Perhaps it is time to stop trying. The interface is ripe for exploration. (via When science and philosophy collide in a ‘fine-tuned’ universe)

"What breathes fire into equations?"

f-l-e-u-r-d-e-l-y-s:

 faig ahmed’s Embroidered Art  
When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.









f-l-e-u-r-d-e-l-y-s:

 faig ahmed’s Embroidered Art  
When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.









f-l-e-u-r-d-e-l-y-s:

 faig ahmed’s Embroidered Art  
When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.









f-l-e-u-r-d-e-l-y-s:

 faig ahmed’s Embroidered Art  
When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.









f-l-e-u-r-d-e-l-y-s:

 faig ahmed’s Embroidered Art  
When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.









f-l-e-u-r-d-e-l-y-s:

 faig ahmed’s Embroidered Art  
When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.









f-l-e-u-r-d-e-l-y-s:

 faig ahmed’s Embroidered Art  
When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.









f-l-e-u-r-d-e-l-y-s:

 faig ahmed’s Embroidered Art  
When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.









f-l-e-u-r-d-e-l-y-s:

 faig ahmed’s Embroidered Art  
When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.









f-l-e-u-r-d-e-l-y-s:

 faig ahmed’s Embroidered Art  
When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.

f-l-e-u-r-d-e-l-y-s:

 faig ahmeds Embroidered Art 

When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.

(via tokyo-fashion)

An interactive book, this will be soaking up my time.

singularitarian:

Last month, I wrote about the risk of a “technology doping” scandal during this year’s Olympic Games in Sochi, which were peppered with souped-up gear like nanotech swimsuits made by aerospace engineers, potentially toeing the line between utilizing the best modern-day equipment and cheating.

Oh yeaaaaah!

“It began with a curiosity about why the ten most common verbs in the English language are irregular, even though the vast majority of verbs are regular. Their discovery, arrived at through data-mining several centuries’ worth of texts, amounts to a sort of linguistic natural selection: the more frequently an irregular verb is used, the less likely it is to be regularized over time. It was the Ngram Viewer, and access to Google’s vast library of digitized books, that enabled this discovery.”
Mark O’Connell reads “Uncharted: Big Data as a Lens on Human Culture,” a new book by the scientists Erez Aiden and Jean-Baptiste Michel, founders of the field they call “culturomics”: http://nyr.kr/OBr9bg (via newyorker)

This was already known in psycholinguistics.

(via newyorker)

jkottke:

People had assumed that the name of the secretive creator of Bitcoin, Satoshi Nakamoto, was a pseudonym designed to protect his anonymity. Newsweek’s Leah McGrath Goodman tracked down a man who could be the Bitcoin founder and discovered that his real name is…Satoshi Nakamoto.

Probs not real

Unlike programs, computers must obey the laws of thy God

artmastered:

Various works and details from the Life of St Ursula series, by Vittore Carpaccio, 1491-1500
This series was originally commissioned in 1488 by Venice’s Confraternity of St Ursula, and the paintings are now located in the city’s Gallerie dell’Accademia. Whilst working on the series, Carpaccio was forced to abandon a chronological order, and instead work on whatever wall space happened to be available at the time. Hence the rather haphazard dating from painting to painting!

Incredible depth artmastered:

Various works and details from the Life of St Ursula series, by Vittore Carpaccio, 1491-1500
This series was originally commissioned in 1488 by Venice’s Confraternity of St Ursula, and the paintings are now located in the city’s Gallerie dell’Accademia. Whilst working on the series, Carpaccio was forced to abandon a chronological order, and instead work on whatever wall space happened to be available at the time. Hence the rather haphazard dating from painting to painting!

Incredible depth artmastered:

Various works and details from the Life of St Ursula series, by Vittore Carpaccio, 1491-1500
This series was originally commissioned in 1488 by Venice’s Confraternity of St Ursula, and the paintings are now located in the city’s Gallerie dell’Accademia. Whilst working on the series, Carpaccio was forced to abandon a chronological order, and instead work on whatever wall space happened to be available at the time. Hence the rather haphazard dating from painting to painting!

Incredible depth artmastered:

Various works and details from the Life of St Ursula series, by Vittore Carpaccio, 1491-1500
This series was originally commissioned in 1488 by Venice’s Confraternity of St Ursula, and the paintings are now located in the city’s Gallerie dell’Accademia. Whilst working on the series, Carpaccio was forced to abandon a chronological order, and instead work on whatever wall space happened to be available at the time. Hence the rather haphazard dating from painting to painting!

Incredible depth artmastered:

Various works and details from the Life of St Ursula series, by Vittore Carpaccio, 1491-1500
This series was originally commissioned in 1488 by Venice’s Confraternity of St Ursula, and the paintings are now located in the city’s Gallerie dell’Accademia. Whilst working on the series, Carpaccio was forced to abandon a chronological order, and instead work on whatever wall space happened to be available at the time. Hence the rather haphazard dating from painting to painting!

Incredible depth artmastered:

Various works and details from the Life of St Ursula series, by Vittore Carpaccio, 1491-1500
This series was originally commissioned in 1488 by Venice’s Confraternity of St Ursula, and the paintings are now located in the city’s Gallerie dell’Accademia. Whilst working on the series, Carpaccio was forced to abandon a chronological order, and instead work on whatever wall space happened to be available at the time. Hence the rather haphazard dating from painting to painting!

Incredible depth artmastered:

Various works and details from the Life of St Ursula series, by Vittore Carpaccio, 1491-1500
This series was originally commissioned in 1488 by Venice’s Confraternity of St Ursula, and the paintings are now located in the city’s Gallerie dell’Accademia. Whilst working on the series, Carpaccio was forced to abandon a chronological order, and instead work on whatever wall space happened to be available at the time. Hence the rather haphazard dating from painting to painting!

Incredible depth artmastered:

Various works and details from the Life of St Ursula series, by Vittore Carpaccio, 1491-1500
This series was originally commissioned in 1488 by Venice’s Confraternity of St Ursula, and the paintings are now located in the city’s Gallerie dell’Accademia. Whilst working on the series, Carpaccio was forced to abandon a chronological order, and instead work on whatever wall space happened to be available at the time. Hence the rather haphazard dating from painting to painting!

Incredible depth artmastered:

Various works and details from the Life of St Ursula series, by Vittore Carpaccio, 1491-1500
This series was originally commissioned in 1488 by Venice’s Confraternity of St Ursula, and the paintings are now located in the city’s Gallerie dell’Accademia. Whilst working on the series, Carpaccio was forced to abandon a chronological order, and instead work on whatever wall space happened to be available at the time. Hence the rather haphazard dating from painting to painting!

Incredible depth artmastered:

Various works and details from the Life of St Ursula series, by Vittore Carpaccio, 1491-1500
This series was originally commissioned in 1488 by Venice’s Confraternity of St Ursula, and the paintings are now located in the city’s Gallerie dell’Accademia. Whilst working on the series, Carpaccio was forced to abandon a chronological order, and instead work on whatever wall space happened to be available at the time. Hence the rather haphazard dating from painting to painting!

Incredible depth

artmastered:

Various works and details from the Life of St Ursula series, by Vittore Carpaccio, 1491-1500

This series was originally commissioned in 1488 by Venice’s Confraternity of St Ursula, and the paintings are now located in the city’s Gallerie dell’Accademia. Whilst working on the series, Carpaccio was forced to abandon a chronological order, and instead work on whatever wall space happened to be available at the time. Hence the rather haphazard dating from painting to painting!

Incredible depth